Warning: A non-numeric value encountered in /homepages/14/d571965057/htdocs/Panpodium2017/wp-content/themes/gonzo/single.php on line 52

Warning: A non-numeric value encountered in /homepages/14/d571965057/htdocs/Panpodium2017/wp-content/themes/gonzo/single.php on line 53

Warning: A non-numeric value encountered in /homepages/14/d571965057/htdocs/Panpodium2017/wp-content/themes/gonzo/single.php on line 54

Warning: A non-numeric value encountered in /homepages/14/d571965057/htdocs/Panpodium2017/wp-content/themes/gonzo/single.php on line 55

Warning: A non-numeric value encountered in /homepages/14/d571965057/htdocs/Panpodium2017/wp-content/themes/gonzo/single.php on line 56

Warning: A non-numeric value encountered in /homepages/14/d571965057/htdocs/Panpodium2017/wp-content/themes/gonzo/single.php on line 57

Warning: A non-numeric value encountered in /homepages/14/d571965057/htdocs/Panpodium2017/wp-content/themes/gonzo/single.php on line 58
Caribbean

Published on May 23rd, 2016 | by The Royal Gazette

0

Steel pan man’s 40 years of music

Rudolph Commissiong, a pioneer of steel band music in Bermuda, recalls his life and times as a pan man played against a backdrop of revolution and segregation I started learning how to play the steel pan in my late teens — at 17 years of age, actually. I was influenced to do so by one of the most famous bands at that time; a neighbourhood band called Casablanca and by one of the best tenor pan players I had ever heard named Ormond “Patsy” Haynes.

With about eight friends, we started a band called the Hit Paraders. We were fortunate to have a well-known and talented musician by the name of Art De Coteau teach and arrange the music for us. We soon started playing for private parties and were doing quite well, but most of the guys had other interests as young men and so the band folded. On the advice from one of my friends, I joined a band from the Woodbrook neighbourhood called the Dixie Stars. This band was formed after members decided to split from a band called Dixieland, which was the most popular band at that time. This was 1952 and by 1953, I became the band’s leader.

Soon we were offered a job by Errol Lau, who lived near where we practised. He was the manager of the Bel-Air Hotel at Piarco International Airport. We started playing there two nights a week and within three months, we were asked by the owner, Sonny Hamid, to do five nights. We became the only steel bandsmen to make a living as full-time musicians then, with each member making $48 per week. In 1953, this was considered a very good wage. There were other advantages as well. For example, by working at the hotel at the airport, it gave us great exposure to the rest of the world. With Trinidad being an international flight hub, all flights going from Europe to South America and vice versa would overnight in Trinidad. Because of this, a lot of influential people from overseas would see and hear us play. The band also became very popular with the locals in Trinidad. We were always overbooked for private parties on weekends and were regular fixtures at the Trinidad Country Club, the Yacht Club, the Arima Tennis Club and the US Naval Base at Chaguaramas.

In 1953, we also became the first band to be sponsored by a major company. We became the Shell Dixie Stars Steel Band. Our instruments were painted yellow, with the Shell logo on each drum. In March 1954, we got our first job overseas. We were contracted to play in Barbados at the Coconut Creek Club and later at the Club Morgan in Bridgetown, the capital. For this trip, we adopted the Bel-Air Hotel name and were known in Barbados as the Bel-Air Dixie Stars. It was during this engagement at Club Morgan that we were recalled to Trinidad because the Trinidad Commissioner for Trade with Canada, Rex Stollmeyer, had arranged with Imperial Oil and Esso for their sponsorship in order for the band to play at the Canadian National Exhibition in Toronto.

Read More


About the Author



Comments are closed.

Back to Top ↑